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Combustion and Incineration Processes Applications in Environmental Engineering (Pollution Engineering Technology Series) Marcel Dekker Inc? Walter R. Niessen? MarcelDekkerInc? WalterR.Niessen? ジャンル別? Substores-UnknownASINs-23? Subjects-Engineering-SpecialTopics-AppliedAtmosphericSciences? Subjects-Engineering-Civil-Construction-BuildingConstruction? Subjects-Engineering-Civil-Environmental-Pollution-Air? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingConstruction? Subjects-Professional&Technical-Engineering-Civil-Environmental-Pollution-Air? Subjects-Professional&Technical-Engineering-SpecialTopics-AppliedAtmosphericSciences? Subjects-Professional&Technical-Engineering-General Elementary Statistical Quality Control (Statistics Textbook S and Monographs, Vol 25) Marcel Dekker Inc? Irving Wingate Burr? MarcelDekkerInc? IrvingWingateBurr? ジャンル別? Substores-UnknownASINs-23? Subjects-Business&Investing-Management&Leadership-QualityControl? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-QualityControl? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-QualityControl? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-BusinessManagement-Management&Leadership-QualityControl? Subjects-Science-General ByPublisher-McGraw-Hill-McGraw-HillEngineeringStore-QualityEngineering-Manufacturing? Successful Product and Business Development Marcel Dekker Inc? N. Giragosian? MarcelDekkerInc? N.Giragosian? ジャンル別? Substores-UnknownASINs-23? Subjects-Business&Investing-General? Subjects-Business&Investing-Management&Leadership? Subjects-Engineering-Chemical-General? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Safety&Health? Subjects-Professional&Technical-Engineering-Chemical-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Safety&Health? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-BusinessManagement-Management&Leadership? Subjects-Science-Chemistry-Safety? Subjects-Science-Chemistry-ChemicalEngineering? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Safety&Health? Operations Research Support Methodology (Industrial Engineering) Marcel Dekker Inc? A. Holzman? MarcelDekkerInc? A.Holzman? ジャンル別? Substores-UnknownASINs-23? Subjects-Business&Investing-Management&Leadership-OperationsResearch? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-BusinessManagement-Management&Leadership-OperationsResearch? Subjects-Science-General Differential Games and Control Theory III Proceedings of the 3rd Kingston Conference/Part A (Lecture Notes in Pure and Applied Mathematics ; V. 44) Marcel Dekker Inc? 3d, University of Rhode Island, 1978 Kingston Conference on Differential Games and Control Theory? Pan-Tai Liu? Emilio O. Roxin? MarcelDekkerInc? 3d,UniversityofRhodeIsland,1978KingstonConferenceonDifferentialGamesandControlTheory? Pan-TaiLiu? EmilioO.Roxin? ジャンル別? Substores-UnknownASINs-23? Subjects-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Engineering-General? Subjects-Engineering-Mechanical-Robotics? Subjects-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Professional&Technical-Engineering-Mechanical-Robotics? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-General? Subjects-Science-General Subjects-Science-Mathematics-Applied-General? Biomechanics of Medical Devices (Biomedical Engineering and Instrumentation Series Vol 7) Marcel Dekker Inc? D. Ghista? MarcelDekkerInc? D.Ghista? ジャンル別? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Bioengineering-BiomedicalEngineering? Subjects-Engineering-Bioengineering-Biomechanics? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Medicine-BasicScience? Subjects-Medicine-General? Subjects-Medicine-Specialties-Family&GeneralPractice? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Bioengineering-BiomedicalEngineering? Subjects-Professional&Technical-Engineering-Bioengineering-Biomechanics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-FamilyPractice? Subjects-Science-General Subjects-Science-Medicine-BasicScience? Subjects-Science-Medicine-General? Subjects-Science-Medicine-Specialties-Family&GeneralPractice? Mathematics of Finite-Dimensional Control Systems Theory and Design (553p) Marcel Dekker Inc? David L. Russell? MarcelDekkerInc? DavidL.Russell? ジャンル別? Substores-UnknownASINs-23? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General What Every Engineer Should Know About Product Liability (What Every Engineer Should Know) Marcel Dekker Inc? James F. Thorpe? MarcelDekkerInc? JamesF.Thorpe? ジャンル別? ユーズドブック(洋書)-Law? Substores-UnknownASINs-23? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-QualityControl? Subjects-Law-AdministrativeLaw-General? Subjects-Law-PrivateLaw? Subjects-Nonfiction-Law-AdministrativeLaw-General? Subjects-Nonfiction-Law-PrivateLaw? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-QualityControl? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Law-AdministrativeLaw-General? Subjects-Science-General Subjects-Science-Technology-General&Reference ByPublisher-McGraw-Hill-McGraw-HillEngineeringStore-QualityEngineering-Manufacturing? Electro-Optics Handbook (Electro-Optics Series) Marcel Dekker Inc? Elion? MarcelDekkerInc? Elion? ジャンル別? Subjects-Engineering-Electrical&Electronics-Circuits? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-General? Subjects-Engineering-Telecommunications? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Circuits? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Telecommunications? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Subjects-Science-Physics-Applied? Subjects-Science-Technology-General&Reference Ethylene, Keystone to the Petrochemical Industry, (Chemical Industries) Marcel Dekker Inc? Ludwig Kniel? Olaf Winter? Karl Stork? MarcelDekkerInc? LudwigKniel? OlafWinter? KarlStork? ジャンル別? Substores-UnknownASINs-23? Subjects-Engineering-Chemical-General? Subjects-Engineering-General? Subjects-Engineering-Petroleum,Mining&Geological-Petroleum? Subjects-Professional&Technical-Engineering-Chemical-General? Subjects-Professional&Technical-Engineering-Petroleum,Mining&Geological-Petroleum? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Chemistry-Organic? Subjects-Science-Chemistry-ChemicalEngineering? Subjects-Science-General Applied Engineering Mechanics Statics and Dynamics (Mechanical Engineering) Marcel Dekker Inc? Geoffrey Boothroyd? C. R. Poli? MarcelDekkerInc? GeoffreyBoothroyd? C.R.Poli? ジャンル別? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-General? Subjects-Engineering-MaterialsScience-General? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Physics-Mechanics? Subjects-Science-General Subjects-Science-Physics-Mechanics? Subjects-Science-Technology-General&Reference Wastewater Treatment and Disposal Engineering and Ecology in Pollution Control Marcel Dekker Inc? S. J. Arceivala? MarcelDekkerInc? S.J.Arceivala? ジャンル別? Substores-UnknownASINs-23? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-SewageDisposal&Treatment? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-SewageDisposal&Treatment? Subjects-Professional&Technical-Engineering-General Chemicals in the Environment Distribution, Transport, Fate, Analysis Marcel Dekker Inc? Wesley Brock Neely? MarcelDekkerInc? WesleyBrockNeely? ジャンル別? Substores-UnknownASINs-23? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-General Subjects-Science-Chemistry-Industrial&Technical? Sludge Treatment (Pollution Engineering Technology Series) Marcel Dekker Inc? Echenteld? MarcelDekkerInc? Echenteld? ジャンル別? Substores-UnknownASINs-23? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Engineering-Civil-Environmental-SewageDisposal&Treatment? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Professional&Technical-Engineering-Civil-Environmental-SewageDisposal&Treatment? Subjects-Professional&Technical-Engineering-General Optimization of Systems Reliability (Industrial Engineering) Marcel Dekker Inc? Frank A. Tillman? MarcelDekkerInc? FrankA.Tillman? ジャンル別? Substores-UnknownASINs-23? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Hydraulic Pumps and Motors Selection and Application for Hydraulic Power Control Systems Marcel Dekker Inc? Raymond P. Lambeck? MarcelDekkerInc? RaymondP.Lambeck? ジャンル別? Substores-UnknownASINs-23? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Mechanical-Hydraulics? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-Hydraulics? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Physics-Applied? Probabilistic Engineering Design Principles and Applications (Mechanical Engineering (Marcell Dekker)) Marcel Dekker Inc? James N. Siddall? MarcelDekkerInc? JamesN.Siddall? ジャンル別? Substores-UnknownASINs-23? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Cad/Cam Systems Planning and Implementation (Mechanical Engineering (Marcell Dekker)) Marcel Dekker Inc? Charles Knox? MarcelDekkerInc? CharlesKnox? ジャンル別? Substores-UnknownASINs-23? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Business&Investing-Management&Leadership-QualityControl? Subjects-Engineering-ComputerTechnology-General? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-Engineering-ComputerTechnology-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Mathematics-Geometry&Topology-GeneralGeometry? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-QualityControl? Subjects-Science-General Subjects-Science-Mathematics-Geometry&Topology-GeneralGeometry? Catalyst Manufacture Laboratory and Commercial Preparations (Chemical Industries) Marcel Dekker Inc? Alvin B. Stiles? MarcelDekkerInc? AlvinB.Stiles? ジャンル別? Substores-UnknownASINs-23? Subjects-Engineering-Chemical-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Chemical-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-Chemistry-ChemicalEngineering? Distributed Computer Control Systems Evaluation, Implementation, and Economics (Series of Special Reports, Rept. No. 6) Marcel Dekker Inc? Steve Cocheo? MarcelDekkerInc? SteveCocheo? ジャンル別? Subjects-Computers&Internet-Networking-DataintheEnterprise-DistributedComputing? Subjects-Computers&Internet-Software-Business-ControlSystems? Subjects-Computers&Internet-Databases-DistributedDatabases? Subjects-Engineering-General? Subjects-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-General Finite Element Methods An Introduction (Mechanical Engineering (Marcell Dekker)) Marcel Dekker Inc? Ronald L. Huston? Chris E. Passerello? MarcelDekkerInc? RonaldL.Huston? ChrisE.Passerello? ジャンル別? Substores-UnknownASINs-23? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Mathematics-Applied-Engineering-Boundary&FiniteAnalysis? Quality Assurance in Research and Development (Industrial Engineering) Marcel Dekker Inc? George Roberts? MarcelDekkerInc? GeorgeRoberts? ジャンル別? Substores-UnknownASINs-23? Subjects-Business&Investing-Management&Leadership-Industrial? Subjects-Business&Investing-Management&Leadership-OperationsResearch? Subjects-Business&Investing-Marketing&Sales-Marketing-Research? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-QualityControl? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-QualityControl? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Industrial? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-OperationsResearch? Subjects-Professional&Technical-BusinessManagement-Marketing&Sales-Marketing-Research? Subjects-Science-General ByPublisher-McGraw-Hill-McGraw-HillEngineeringStore-QualityEngineering-Manufacturing? Mechanical Fastening of Plastics An Engineering Handbook (Mechanical Engineering (Marcell Dekker)) Marcel Dekker Inc? Brayton Lincoln? Kenneth J. Gomes? James F. Braden? MarcelDekkerInc? BraytonLincoln? KennethJ.Gomes? JamesF.Braden? ジャンル別? Substores-UnknownASINs-23? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Machinery? Subjects-Engineering-MaterialsScience-General? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Mechanical-Machinery? Subjects-Engineering-Chemical-Plastics? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Machinery? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-Machinery? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Chemical-Plastics? Subjects-Science-General Subjects-Science-Physics-Applied? Engineering With Rigid Pvc Processability and Applications (Plastics Engineering, Vol. 6) Marcel Dekker Inc? I. Luis Gomez? MarcelDekkerInc? I.LuisGomez? ジャンル別? Substores-UnknownASINs-23? Subjects-Engineering-Chemical-PolymerChemistry? Subjects-Engineering-Chemical-Materials? Subjects-Engineering-Chemical-Plastics? Subjects-Engineering-General? Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Chemical-PolymerChemistry? Subjects-Professional&Technical-Engineering-Chemical-Materials? Subjects-Professional&Technical-Engineering-Chemical-Plastics? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Chemistry-Inorganic? Subjects-Science-Chemistry-Inorganic? Subjects-Science-General Polymer Chemistry The Basic Concepts Marcel Dekker Inc? Paul C. Hiemenz? MarcelDekkerInc? PaulC.Hiemenz? ジャンル別? Subjects-Engineering-Chemical-PolymerChemistry? Subjects-Engineering-Chemical-General? Subjects-Engineering-Chemical-Materials? Subjects-Engineering-General? Subjects-Engineering-MaterialsScience-PolymerScience? Subjects-Professional&Technical-Engineering-Chemical-PolymerChemistry? Subjects-Professional&Technical-Engineering-Chemical-General? Subjects-Professional&Technical-Engineering-Chemical-Materials? Subjects-Professional&Technical-Engineering-MaterialsScience-PolymerScience? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Professional&Technical-ProfessionalScience-Chemistry-Organic? Subjects-Science-Chemistry-Organic-General? Subjects-Science-Chemistry-Polymers&Macromolecules? Subjects-Science-Chemistry-ChemicalEngineering? Subjects-Science-General Cost Engineering Planning Techniques for Management (Cost Engineering) Marcel Dekker Inc? James Black? MarcelDekkerInc? JamesBlack? ジャンル別? Subjects-Business&Investing-Careers-Entrepreneurship? Subjects-Business&Investing-Finance-Budgeting? Subjects-Business&Investing-Finance-CorporateFinance? Subjects-Engineering-Civil-General? Subjects-Engineering-Economics? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-EngineeringEconomics? Subjects-Medicine-General? Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-EngineeringEconomics? Subjects-Professional&Technical-Engineering-Economics? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Accounting&Finance-Finance-Budgeting? Subjects-Professional&Technical-Accounting&Finance-Finance-CorporateFinance? Subjects-Reference-Careers-Entrepreneurship? Subjects-Science-General Subjects-Science-Medicine-General? Engineering Documentation for Cad/Cam Applications (Mechanical Engineering (Marcell Dekker)) Marcel Dekker Inc? Charles S. Knox? MarcelDekkerInc? CharlesS.Knox? ジャンル別? Substores-UnknownASINs-23? Subjects-Engineering-ComputerTechnology-General? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-ComputerTechnology-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Mathematics-Geometry&Topology-GeneralGeometry? Subjects-Science-General Subjects-Science-Mathematics-Geometry&Topology-GeneralGeometry? Fiber Technology From Film to Fiber (International Fiber Science and Technology Series) Marcel Dekker Inc? Hans A. Krassig? Jurgen Lenz? Herman F. Mark? H. F. Mark? MarcelDekkerInc? HansA.Krassig? JurgenLenz? HermanF.Mark? H.F.Mark? ジャンル別? Substores-UnknownASINs-23? Subjects-Engineering-Chemical-PolymerChemistry? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Engineering-MaterialsScience-General? Subjects-Engineering-MaterialsScience-PolymerScience? Subjects-Engineering-MaterialsScience-Textiles? Subjects-Home&Garden-Crafts&Hobbies-TextileArts? Subjects-Professional&Technical-Engineering-Chemical-PolymerChemistry? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-MaterialsScience-PolymerScience? Subjects-Professional&Technical-Engineering-MaterialsScience-Textiles? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Selecting Thermoplastics for Engineering Applications (Plastics Engineering) Marcel Dekker Inc? Charles P. MacDermott? MarcelDekkerInc? CharlesP.MacDermott? ジャンル別? Substores-UnknownASINs-23? Subjects-Engineering-Chemical-PolymerChemistry? Subjects-Engineering-Chemical-Plastics? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Chemical-PolymerChemistry? Subjects-Professional&Technical-Engineering-Chemical-Plastics? Subjects-Professional&Technical-Engineering-General Biological Performance of Materials Fundamentals of Biocompatibility Marcel Dekker Inc? Jonathan Black? MarcelDekkerInc? JonathanBlack? ジャンル別? Subjects-Engineering-Bioengineering-BiomedicalEngineering? Subjects-Engineering-Bioengineering-Biochemistry? Subjects-Engineering-Bioengineering-Biotechnology? Subjects-Engineering-Chemical-General? Subjects-Engineering-Chemical-Materials? Subjects-Engineering-General? Subjects-Medicine-Reference-Instruments&Supplies? Subjects-Medicine-SpecialTopics-Biotechnology? Subjects-Medicine-Specialties-Surgery-Plastic&Cosmetic? Subjects-Professional&Technical-Engineering-Chemical-General? Subjects-Professional&Technical-Engineering-Chemical-Materials? Subjects-Professional&Technical-Engineering-Bioengineering-BiomedicalEngineering? Subjects-Professional&Technical-Engineering-Bioengineering-Biochemistry? Subjects-Professional&Technical-Engineering-Bioengineering-Biotechnology? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Medical-BasicSciences-Biotechnology? Subjects-Professional&Technical-Medical-Medicine-Surgery-Plastic? Subjects-Professional&Technical-Medical-Medicine-Reference-Instruments&Supplies? Subjects-Science-Chemistry-Biochemistry? Subjects-Science-Chemistry-ChemicalEngineering? Subjects-Science-Evolution-MolecularBiology? Subjects-Science-Medicine-Reference-Instruments&Supplies? Subjects-Science-Medicine-SpecialTopics-Biotechnology? Subjects-Science-Medicine-Specialties-Surgery-Plastic&Cosmetic? Design Dimensioning With Computer Graphics Applications (Mechanical Engineering (Marcell Dekker)) Marcel Dekker Inc? Jerome C. Lange? MarcelDekkerInc? JeromeC.Lange? ジャンル別? Subjects-Computers&Internet-WebDevelopment-HTML,Graphics,&Design-WebGraphics? Subjects-Computers&Internet-Networking-Networks,Protocols&APIs-Networks? Subjects-Computers&Internet-Programming-Graphics&Multimedia-General? Subjects-Computers&Internet-GraphicDesign-General? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General What Every Engineer Should Know About Robots (What Every Engineer Should Know) Marcel Dekker Inc? Maurice Zeldman? MarcelDekkerInc? MauriceZeldman? ジャンル別? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-Robotics? Subjects-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Mechanical-Robotics? Subjects-Professional&Technical-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-Robotics? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Manufacturing Cost Engineering Handbook (Cosmetic Science Technology) Marcel Dekker Inc? Eric M. Malstrom? MarcelDekkerInc? EricM.Malstrom? ジャンル別? Subjects-Business&Investing-Finance-Budgeting? Subjects-Business&Investing-Finance-CorporateFinance? Subjects-Engineering-Economics? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-EngineeringEconomics? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-EngineeringEconomics? Subjects-Professional&Technical-Engineering-Economics? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Accounting&Finance-Finance-Budgeting? Subjects-Professional&Technical-Accounting&Finance-Finance-CorporateFinance? Subjects-Science-General Fiber Optics in Communications Systems (Electrooptics) Marcel Dekker Inc? Glenn Elion? MarcelDekkerInc? GlennElion? ジャンル別? 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Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-Nature&Ecology-Environment-Recycling? Subjects-Science-Technology-General&Reference Attribute Sampling Plans, Tables of Tests, and Confidence Limits for Proportions (Statistics, a Series of Textbooks and Monographs) Marcel Dekker Inc? Robert E. Odeh? D. B. Owen? MarcelDekkerInc? RobertE.Odeh? D.B.Owen? ジャンル別? Subjects-Business&Investing-Management&Leadership-QualityControl? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-QualityControl? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-QualityControl? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-BusinessManagement-Management&Leadership-QualityControl? 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MarcelDekkerInc? HerbertA.Elion? ジャンル別? Substores-UnknownASINs-23? Subjects-Computers&Internet-ComputerScience-Circuitry-Optoelectronics? Subjects-Engineering-Electrical&Electronics-Circuits? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-Electrical&Electronics-Optics-Optoelectronics? Subjects-Engineering-General? Subjects-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Circuits? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-Optoelectronics? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Physics-Applied? Practical Seal Design (Mechanical Engineering (Marcell Dekker)) Marcel Dekker Inc? Leonard J. Martini? MarcelDekkerInc? LeonardJ.Martini? ジャンル別? Substores-UnknownASINs-23? 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Subjects-Science-General What Every Engineer Should Know About Microcomputer Program Design (What Every Engineer Should Know) Marcel Dekker Inc? Keith Wehmeyer? MarcelDekkerInc? KeithWehmeyer? ジャンル別? Substores-UnknownASINs-23? Subjects-Computers&Internet-Programming-General? Subjects-Engineering-ComputerTechnology-General? Subjects-Engineering-General? Subjects-History-HistoricalStudy-HistoryofIdeas? Subjects-Professional&Technical-Engineering-ComputerTechnology-General? Subjects-Professional&Technical-Engineering-General Subjects-Reference-Education-Questions&Answers? Subjects-Reference-General? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofTechnology? Repairable Systems Reliability Modeling, Inference, Misconceptions and Their Causes (Lecture Notes in Statistics Vol 7) Marcel Dekker Inc Pod? Harold Ascher? Harry Feingold? MarcelDekkerIncPod? HaroldAscher? HarryFeingold? ジャンル別? Subjects-Engineering-General? 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I. 大収穫謝恩歌 汝を取り囲みし、夜と闇とを讃えよ 集い来たれ 仰ぎて天を見よ 今この時からは、もはや逃れられぬのだ 天の思し召しの僅かなることを、心から讃えよ 天は知る由もない 汝らの名も、また顔も 汝らの生くることをも、知る者とてないのだ 汝らの傍らで生き死にする草木と獣物とを讃えよ その様を見よ 草木と獣物とは生き また、汝らと共に死んでいくのだ 寒冷と暗黒と腐敗とを讃えよ 見上げるが良い 汝らにもたらされる物は無い そして誰にも惜しまれずに死んでいくのだ II. 物語詩 溺れ死んだ娘について その娘が溺れ死んで、川を流されて行った時のこと 小さなせせらぎから大きな河へと漂い 空はとても不思議なオパールの色に輝いていた まるで骸を慰めてでもいるかのように 水草や藻に絡め取られるものだから 骸はゆっくりと重さを増していった 冷やかに魚たちは娘の股座に潜り込む 草木や動物はなおも娘の最期の道行きを重いものにするのだ 暮れ方になると空は煙るように暗くなり 夜には満天の星空が天に浮かぶ明かりとなった だが朝が来れば明るくなる、その繰り返し まだ娘の元にも、昼と夜とが訪れるのだ 娘の血の気ない身体が水の中で腐れていった時に やがて（本当にゆっくりだったけど）、神様もだんだんと娘のことを忘れていった まずはその顔を、そしてその手を、、 最後の最後にその髪を やがて娘は塵芥となり、流れの中の塵芥の中に紛れていった III. 慰霊碑 ここに乙女眠る ここに眠れる乙女はヨハンナ・ベック 亡くなった時、既にその純潔は失われていた 男たちが引導を渡したのだ かくして乙女は甘美な生から逃れ去ったのだ 安らかに眠れ、安らかに眠れ IV. 凱旋門の下に埋められた無名兵士についての第一の報告 我らは山々より来たり 我らは山々から、また大海原から来た あいつをぶち殺すために 我らはあいつを荒縄で捕らようと、手を伸ばして モスクワからマルセイユの都まで包囲した それから大砲を用意して、あいつに狙いを定めた いつ何時でも、どこへあいつが逃れたとしても撃てるように あいつが我らを見つけて逃げたとしても撃てるように 我らは四年の長きに渡って、集まってきたのだ 我らの務めをたゆまず果たして、立ち上がったのだ 瓦礫の山と化した街に向かい、我らは数多の言語で呼びかけた 山々から大海原にいたるまで あいつのいるところで 四年目にしてようやく、あいつをぶち殺したのだ そこに我らは立ち会ったのだ あいつが生まれ落ちたのは 死の際にあって見るためだったのだ 我ら全員を そこには一人の女もいて、あいつを産み落とした女だった 女は黙したままでいた、我らがあいつを連れ出しても こんな母胎など引き裂かれてしまえばいい アーメン！ 女は自らあいつをぶち殺して 我らはあいつに暴行を加えたから、あいつの顔はメチャメチャになった 我らの拳で殴り続けて あいつが誰なのかも、分からないようにしたのだ もはや、あいつは誰かの息子ではなくなったのだ あいつの身体は鉱石の下に埋めた あいつの故郷でもある我らの街まで運び 石の下に葬ったのだ、そこは門の下で 凱旋門と呼ばれていた 石の目方は一千貫目もあった かくして無名兵士は 裁きの日まで、いつまでも立ち続け そして、それと目に止まることもないままに 神の前を歩くのだ それでもなお、再び光の中へ向かい 我らに認めさせようとするのだ 公正を求めて V. 凱旋門の下に埋められた無名兵士についての第二の報告 全てを我は語れり 私の語ったすべて 無名兵士の殺害と死 その顔が滅茶苦茶にされたこと それから私の語った殺害者たちの骨折りも その復活を阻止しようとしてしたことも これは事実なのだ だが、兵士は二度と帰らないのだ その顔は君らと同じように生き生きとしていたんだ 打ちのめされて、二目と見られないものになるまでは それから兵士は この世界で再びまみえることはない 完全な形でも、粉々の欠片でも 今日この日でも、終末の日でも その口も 最後の審判が来ても開かれることはない そこに裁きはない 君らの兄弟は 死んでしまって、その骸の上には岩が置かれている だから私は嘆くんだ いかなる嘲りであろうと、だから私は悲しみを胸に秘めておこう だが私は君らに請う、この兵士を 再び打ち殺そうとしているようだけれど 静まるんだ！ 新たにことを起こすんじゃない 争いだなんて、もう兵士は死んでいるのだから それでも、なお、お願いする、また兵士のことも もはや、ぶち殺されているのだから ほんの小さな石でも取り除いて欲しい その骸に置かれた石を 勝利の雄叫びは いらないんだ、そんなことすると 私を苦しめるんだ、だから私が その撃ち殺された者のことを もう忘れてしまったとしても、兵士を思い出すんだ 君たちは毎日、君たちはまだ 生きていて、それに君たちは 今もなお、撃ち殺されていないのだから なぜ、それでいけないんだ？ VI. 大収穫謝恩歌（ダ・カーポ） 汝を取り囲みし、夜と闇とを讃えよ 集い来たれ 仰ぎて天を見よ 今この時からは、もはや逃れられぬのだ 寒冷と暗黒と腐敗とを讃えよ 見上げるが良い 汝らにもたらされる物は無い そして誰にも惜しまれずに死んでいくのだ (「III. 慰霊碑」の差し替えられる前の歌詞) III. 墓碑銘 紅の薔薇に 赤のローザもまた、今はもういない もう死んでしまって、葬られた場所を知る者もいないのだ 貧乏人たちに真実を教えてやったから 金持ちたちには生かしてはおけなかったのだ 安らかに眠れ、安らかに眠れ (製作時にスコアからカットされた曲) I. 樫の下なるポツダムを 樫の下なるポツダムを、 とある真昼時のこと、歩いて行く行列があった。 先頭は太鼓でしんがりは旗。 その間には棺が一つ、人々は運んでいった。 樫の下なるポツダムを、 百年来の塵の中を、 六人の者達が一つの棺を運んでいった。 鉄兜と柏葉の勲章で飾りつけて。 棺には真っ赤な文字で、 銘が記されていた。 不格好な書体で、 「かくて英雄故郷へ帰る。 かくて英雄故郷へ帰る。」と。 それは、死んでいった多くの者達への、 思い出のためだった。 その故郷に生を請け、 シュマン・ドゥ・ダムの地に果てていった者達への。 「お国のため」と言う言葉に踊らされ、 誠心誠意を尽くして這いずり回った者達に、 故国はこの棺でそれに報いたのだ。 かくて英雄故郷へ帰る！ そこで彼らはポツダム中を練り歩いた。 シュマン・ドゥ・ダムで死んだ男のために。 でもそこへ緑色の制服を着た警官がやって来て、 彼らみんなを叩きのめしてしまった。 II. 死んだ兵隊の伝説 開戦から四年も経つというのに 平和の訪れる望みはなかった。 兵隊はその責任を果たそうとして 戦場で死を遂げた。 それで戦争が終わった訳ではなかったから それを聞いて皇帝はがっかりした。 彼の兵隊が死んでしまったことが いささか時期尚早に思われたのだ。 墓地にも夏が訪れて 兵隊は安らかに眠っていた。 ある夜、そこへやって来たのは 軍事医務委員会御一行だった。 医務委員会の連中は のこのこ墓場までやって来て 聖別された墓掘り用のスコップで 戦死した兵隊を掘り起こした。 兵隊、あるいはかつては兵隊だった物体を ドクトルは子細に診察した。 ドクトルの診断は「甲種合格」 臆病風に吹かれて逃げ出しただけだ。 そこで彼らはすぐに兵隊を連れ出した。 その夜は青々として晴れ渡っていた。 鉄かぶとを被せられていなかったなら 故郷の星も見えただろうに。 兵隊の腐れ果てた身体に 彼らは火酒を注いだ。 兵隊の腕には二人の看護婦がすがり付き もう一人、なかば裸の女もくっ付いていた。 兵隊の腐敗臭がひどかったために びっこの坊主が先導を務め、 兵隊の廻りで香炉を振って 臭わないように気を配った。 楽の音がジャンジャカジャンと鳴り響き 勇壮に行進曲を奏で出すと、 兵隊は訓練されたとおりに ケツから足を振り上げてみせた。 兵隊の腕を取って両脇から支えながら 仲よく歩いていたのは二人の衛生兵。 一度でも手を放すと兵隊は転んで糞まみれになってしまうし、 そんなことは許されない行為だったからだ。 彼らは兵隊の経帷子を 黒白赤に染め抜いた。 彼らがそれを捧げ持って運べば、 糞の色はもう分からなくなっていた。 燕尾服を着た一紳士が 胸を張って一行の先導を務めた。 彼は一人のドイツ人として 自らの責務に目覚めたのだ。 ジャンジャカジャンと彼らは兵隊を引っ張って 薄暗い石畳の道を下っていった。 兵隊はふらつきながらも彼らと歩調を合わせていた。 さながら嵐の中の雪の一ひらのように。 猫がニャーニャー鳴いて、犬はワンワン吠え、 野鼠までチューチュー言ってうるさかった。 動物にはフランス式の知らんぷりなんかできない。 それじゃあ礼儀に欠けるから。 一行が村を通り過ぎた時に 村中の女たちが出迎えた。 木々までが腰を屈め、空には満月が輝き、 そして誰も彼もが万歳の声を上げた。 ジャンジャカジャンにご機嫌よう！ 女に犬にハゲ坊主！ その真ん中の死んだ兵隊は 酔っ払いの猿みたいだった。 一行が村を通り過ぎた時に いつの間にか兵隊の姿は見えなくなった。 兵隊の廻りの一帯は一杯だったのだ。 ジャンジャカジャンと万歳で。 歌ったり踊ったりの大騒ぎの中で 兵隊の姿は見えなくなった。 上から見れば見えただろうが 空には星しかいなかった。 空の星もいつかは消えて やがては夜明けが訪れる。 けれども兵隊は訓練されたとおりに 戦場で死を遂げるために進んでいくのだった。 I. Großer Dankchoral Lobet die Nacht und die Finsternis, die euch umfangen! Kommet zuhauf! Schaut in den Himmel hinauf Schon ist der Tag euch verfangen. Lobet von Herzen das schlechte Gedächtnis des Himmels! Und dass er nicht Weiß euren Nam noch Gesicht. Niemand weiß, dass ihr noch da seid. Lobet das Gras und die Tiere, die neben euch leben und sterben! Sehet, wie ihr Lebet das Gras und das Tier. Und es muss auch mit euch sterben. Lobet die Kälte, die Finsternis und das Verderben! Schauet hinan Es kommet nicht auf euch an. Und ihr könnt unbesorgt sterben II. Ballade Vom ertrunkenem Mädchen Als sie ertrunken war und hinunter schwamm Von den Bächen in die größeren Flüsse, Schien der Opal des Himmels sehr wundersam, Als ob er die Leiche begütigen müsse. Tang und Algen hielten sich an ihr ein, So dass sie langsam viel schwerer ward. Kühl die Fische schwammen an ihrem Bein, Pflanzen und Tiere beschwerten noch ihre letzte Fahrt. Und der Himmel ward abends dunkel wie Rauch Und hielt nachts mit den Sternen das Licht in Schwebe. Aber früh ward er hell, dass es auch Noch für sie Morgen und Abend gebe. Als ihr bleicher Leib im Wasser verfaulet war, Geschah es (sehr langsam), dass Gott sie allmählich vergaß. Erst ihr Gesicht, dann die Hände und ganz zuletzt erst ihr Haar. Dann ward sie Aas in Flüssen mit vielem Aas. III. Marterl Hier ruht die Jungfrau Hier ruht die Jungfrau Johanna Beck. Als sie starb, war ihre Unschuld schon vorher weg. Die Männer haben ihr den Rest gegeben, Drum floh sie aus diesem süßen Leben. Ruhe sanft, ruhe sanft. IV. Erster Bericht über den Unbekannten Soldaten unter dem Triumphbogen Wir kamen von den Gebirgen Wir kamen von den Gebirgen und vom Weltmeer, Um ihn zu erschlagen. Wir fingen ihn mit Stricken, langend Von Moskau bis zur Stadt Marseille Und stellten auf Kanonen, ihn erreichend An jedem Punkt, wo er hinfliehen konnte, Wenn er uns sah. Wir versammelten uns vier Jahre lang, Legten nieder unsere Arbeit und standen In den zerfallenen Städten, uns zurufend in vielen Sprachen Von den Gebirgen bis zum Weltmeer, Wo er sei. So erschlugen wir ihn im vierten Jahr. Dabei waren, Die er war geboren zu sehn Um sich stehend zur Zeit seines Todes Wir alle. Und dabei war eine Frau, die ihn geboren hatte Und die geschwiegen hatte, als wir ihn holten. Der Schoß sei ihr ausgerissen, Amen! Als sie ihn aber erschlagen hatten, Richteten wir ihn zu, dass er sein Gesicht verlor Durch die Spuren unsrer Fäuste. So machten wir ihn unkenntlich, Dass er keines Menschen Sohn mehr sei. Und gruben ihn aus unter dem Erz, Trugen ihn heim in unsere Stadt und Begruben ihn unter dem Stein, und zwar unter einem Bogen, genannt Bogen des Triumphs, Welcher wog tausend Zentner, dass Der Unbekannte Soldat Keinesfalls aufstünde am Tag des Gerichts Und unkenntlich Wandelte vor Gott, Dennoch wieder im Licht Und bezeichnete uns Kenntliche Zur Gerechtigkeit. V. Zweiter Bericht über den Unbekannten Soldaten unter dem Triumphbogen Alles, was ich euch sagte Alles was ich euch sagte Über Ermordung und Tod des Unbekannten Soldaten Und die Verwüstung seines Gesichts, Auch was ich euch sagte über die Bemühung seiner Mörder, Ihn zu hindern am Wiederkommen, Ist wahr. Aber er kommt nicht wieder Sein Gesicht war lebendig wie das eure, Bis es zerschmettert wurde und nicht mehr war. Und er ward Nicht mehr gesehen auf dieser Welt, Weder ganz noch zerschmettert, Weder heute noch am Ende der Tage, Und sein Mund Wird nicht reden am Jüngsten Gericht. Es wird kein Gericht sein, Sondern euer Bruder Ist tot und tot ist der Stein über ihm, Und ich bedaure Jeglichen Hohn, und ziehe zurück meine Klage. Aber ich bitte euch, da ihr ihn Nun einmal erschlagen habt, Still! Fangt nicht von neuen an Zu streiten, da er doch tot ist. Aber doch bitte ich, da ihr ihn also Erschlagen habt Entfernt wenigstens Den Stein über ihm, Denn dieses Triumphgeheul Ist doch nicht nötig und macht Mir Kummer, denn mich, Der ich den Erschlagenen Schon vergessen hatte, erinnert er Täglich an euch, die ihr noch Lebt, und die ihr Immer noch nicht erschlagen seid. Warum denn nicht? VI. Großer Dankchoral (da capo) Lobet die Nacht und die Finsternis, die euch umfangen! Kommet zuhauf! Schaut in den Himmel hinauf Schon ist der Tag euch verfangen. Lobet die Kälte, die Finsternis und das Verderben! Schauet hinan Es kommet nicht auf euch an. Und ihr könnt unbesorgt sterben (Alternate of III. Marterl) III. Grabschrift Die rote Rosa Die rote Rosa schon lang verschwand. Die ist tot, ihr Aufenthaltsort ist unbekannt. Weil sie den Armen hat die Wahrheit gesaget Drum haben sie die Reichen aus dem Leben gejaget. Ruhe sanft, Ruhe sanft. (Deleted from the score) I. Zu Potsdam unter den Eichen Zu Potsdam unter den Eichen Im hellen Mittag ein Zug Vorn eine Trommel und hinten eine Fahn In der Mitte einen Sarg man trug. Zu Potsdam unter den Eichen Im hundertjährigen Staub Da trugen sechse einen Sarg Mit Helm und Eichenlaub. Und auf dem Sarge mit Menigerot Da war geschrieben ein Reim Die Buchstaben sahen häßlich aus »Jedem Krieger sein Heim! Jedem Krieger sein Heim!« Das war zum Angedenken An manchen toten Mann Geboren in der Heimat Gefallen am Chemin des Dames. Gekrochen einst mit Herz und Hand Dem Vaterland auf den Leim Belohnt mit dem Sarge vom Vaterland Jedem Krieger sein Heim! So zogen sie durch Potzdam Für den Mann am chemin des Dames Da kam die grüne Polizei Und haute sie zusamm. II. Legende vom toten Soldaten Und als der Krieg im vierten Jahr Keinen Ausblick auf Frieden bot Da zog der Soldat seine Konsequenz Und starb den Heldentod. Der Krieg war aber noch nicht gar Drum tat es dem Kaiser leid Daß seine Soldat gestorben war Es schien ihm noch vor der Zeit. Der Sommer zog über die Gräber her Und der Soldat schlief schon Da kam eines Nachts eine militär- ische ärztliche Kommission. Es zog die ärztliche Kommission Zum Gottesacker hinaus Und grub mit geweihtem Spaten den Gefallnen Soldaten aus. Der Doktor besah den Soldaten genau Oder was von ihm noch da war Und der Doktor fand, der Soldat war k.v. Und er drückte sich vor der Gefahr. Und sie nahmen sogleich den Soldaten mit Die Nacht war blau und schön. Mann konnte, wenn man keinen Helm aufhatte Die Sterne der Heimat sehn. Sie schütteten ihm einen feurigen Schnaps In den verwesten Leib Und hängten zwei Schwestern in seinen Arm Und ein halb entblößtes Weib. Und weil der Soldat nach Verwesung stinkt Drum hinkt ein Pfaffe voran Der über ihn ein Weihrauchfaß schwingt Daß er nicht stinken kann. Voran die Musik mit Tschindrara Spielt einen flotten Marsch. Und der Soldat, so wie er’s gelernt Schmeißt seine Beine vom Arsch. Und brüderlich den Arm um ihn Zwei Sanitäter gehn Sonst flög er noch in den Dreck ihnen hin Und das darf nicht geschehn. Sie malten auf sein Leichenhemd Die Farben Schwarz-Weiß-Rot Und trugen’s vor ihm her; man sah Vor Farben nicht mehr den Kot. Ein Herr im Frack schritt auch voran Mit einer gestärkten Brust Der war sich als ein deutscher Mann Seiner Pflicht genau bewußt. So zogen sie mit Tschindrara Hinab die dunkle Chaussee Und der Soldat zog taumelnd mit Wie im Sturm die Flocke Schnee. Die Katzen und die Hunde schrein Die Ratzen im Feld pfeifen wüst Sie wollen nicht französisch sein Weil das eine Schande ist. Und wenn sie durch die Dörfer ziehn Waren alle Weiber da Die Bäume verneigten sich, Vollmond schien Und alles schrie hurra. Mit Tschindrara und Wiedersehn! Und Weib und Hund und Pfaff! Und mitten drin der tote Soldat Wie ein besoffner Aff. Und wenn sie durch die Dörfer ziehn Kommt’s, daß ihn keiner sah So viele waren herum um ihn Mit Tschindrara und Hurra. So viele tanzten und johlten um ihn Daß ihn keiner sah. Mann konnte ihn einzig von oben noch sehn Und da sind nur Sterne da. Die Sterne sind nicht immer da Es kommt ein Morgenrot. Doch der Soldat, so wie er’s gelernt Zieht in den Heldentod. この日本語テキストは、 クリエイティブ・コモンズ・ライセンス の下でライセンスされています。@ hanmyo Weill,Kurt/Das Berliner Requiem
https://w.atwiki.jp/oper/pages/1330.html
The blessed damozel leaned out From the gold bar of Heaven; Her eyes were deeper than the depth Of waters stilled at even; She had three lilies in her hand, And the stars in her hair were seven. Her robe, ungirt from clasp to hem, No wrought flowers did adorn, But a white rose of Mary s gift, For service meetly worn; Her hair that lay along her back Was yellow like ripe corn. Herseemed she scarce had been a day One of God s choristers; The wonder was not yet quite gone From that still look of hers; Albeit, to them she left, her day Had counted as ten years. (To one, it is ten years of years. . . . Yet now, and in this place, Surely she leaned o er me — her hair Fell all about my face. . . . Nothing the autumn-fall of leaves. The whole year sets apace.) It was the rampart of God s house That she was standing on; By God built over the sheer depth The which is Space begun; So high, that looking downward thence She scarce could see the sun. It lies in Heaven, across the flood Of ether, as a bridge. Beneath, the tides of day and night With flame and darkness ridge The void, as low as where this earth Spins like a fretful midge. Around her, lovers, newly met Mid deathless love s acclaims, Spoke evermore among themselves Their heart-remembered names; And the souls mounting up to God Went by her like thin flames. And still she bowed herself and stooped Out of the circling charm; Until her bosom must have made The bar she leaned on warm, And the lilies lay as if asleep Along her bended arm. From the fixed place of Heaven she saw Time like a pulse shake fierce Through all the worlds. Her gaze still strove Within the gulf to pierce Its path; and now she spoke as when The stars sang in their spheres. The sun was gone now; the curled moon Was like a little feather Fluttering far down the gulf; and now She spoke through the still weather. Her voice was like the voice of the stars Had when they sang together. (Ah sweet! Even now, in that bird s song, Strove not her accents there, Fain to be hearkened? When those bells Possessed the mid-day air, Strove not her steps to reach my side Down all the echoing stair?) I wish that he were come to me, For he will come, she said. Have I not preyed in Heaven? -- on earth, Lord, Lord, has he not pray d? Are not two prayers a perfect strength? And shall I feel afraid? When round his head the aureole clings, And he is clothed in white, I ll take his hand and go with him To the deep wells of light; As unto a stream we will step down, And bathe there in God s sight. We two will stand beside that shrine, Occult, withheld, untrod, Whose lamps are stirred continually With prayer sent up to God; And see our old prayers, granted, melt Each like a little cloud. We two will lie i the shadow of That living mystic tree Within whose secret growth the Dove Is sometimes felt to be, While every leaf that His plumes touch Saith His Name audibly. And I myself will teach to him, I myself, lying so, The songs I sing here; which his voice Shall pause in, hushed and slow, And find some knowledge at each pause, Or some new thing to know. (Alas! We two, we two, thou say st! Yea, one wast thou with me That once of old. But shall God lift To endless unity The soul whose likeness with thy soul Was but its love for thee?) We two, she said, will seek the groves Where the lady Mary is, With her five handmaidens, whose names Are five sweet symphonies, Cecily, Gertrude, Magdalen, Margaret and Rosalys. Circlewise sit they, with bound locks And foreheads garlanded; Into the fine cloth white like flame Weaving the golden thread, To fashion the birth-robes for them Who are just born, being dead. He shall fear, haply, and be dumb Then will I lay my cheek To his, and tell about our love, Not once abashed or weak And the dear Mother will approve My pride, and let me speak. Herself shall bring us, hand in hand, To him round whom all souls Kneel, the clear-ranged unnumbered heads Bowed with their aureoles And angels meeting us shall sing To their citherns and citoles. There will I ask of Christ the Lord Thus much for him and me — Only to live as once on earth With Love, — only to be, As then awhile, for ever now Together, I and he. She gazed and listened and then said, Less sad of speech than mild, — All this is when he comes. She ceased. The light thrilled towards her, fill d With angels in strong level flight. Her eyes prayed, and she smil d. (I saw her smile.) But soon their path Was vague in distant spheres And then she cast her arms along The golden barriers, And laid her face between her hands, And wept. (I heard her tears.) (Dante Gabriel Rossetti) La damoiselle élue s appuyait Sur la barrière d or du Ciel, Ses yeux étaient plus profonds que l abîme Des eaux calmes au soir. Elle avait trois lys à la main Et sept étoiles dans les cheveux. Sa robe flottante N était point ornée de fleurs brodées, Mais d une rose blanche, présent de Marie, Pour le divin service justement portée ; Ses cheveux qui tombaient le long de ses épaules Étaient jaunes comme le blé mûr. Autour d elle des amants Nouvellement réunis, Répétaient pour toujours, entre eux, leurs nouveaux noms d extase ; Et les âmes, qui montaient à Dieu, Passaient près d elle comme de fines flammes. Alors, elle s inclina de nouveau et se pencha En dehors du charme encerclant, Jusqu à ce que son sein eut échauffé La barrière sur laquelle elle s appuyait, Et que les lys gisent comme endormis Le long de son bras courbé. Le soleil avait disparu, la lune annelée Était comme une petite plume Flottant au loin dans l espace ; et voilà Qu elle parla à travers l air calme, Sa voix était pareille à celle des étoiles Lorsqu elles chantent en chœur. Je voudrais qu il fût déjà près de moi, Car il viendra. N ai-je pas prié dans le ciel ? Sur terre, Seigneur, Seigneur, n a-t-il pas prié, Deux prières ne sont-elles pas une force parfaite? Et pourquoi m effraierais-je ? Lorsqu autour de sa tête s attachera l auréole, Et qu il aura revêtu sa robe blanche, Je le prendrai par la main et j irai avec lui Aux sources de lumière, Nous y entrerons comme dans un courant, Et nous nous y baignerons à la face de Dieu. Nous nous reposerons tous deux à l ombre De ce vivant et mystique arbre, Dans le feuillage secret duquel on sent parfois La présence de la colombe, Pendant que chaque feuille, touchée par ses plumes, Dit son nom distinctement. Tous deux nous chercherons les bosquets Où trône Dame Marie Avec ses cinq servantes, dont les noms Sont cinq douces symphonies Cécile, Blanchelys, Madeleine, Marguerite et Roselys. Il craindra peut-être, et restera muet, Alors, je poserai ma joue Contre la sienne ; et lui parlerai de notre amour, Sans confusion ni faiblesse, Et la chère Mère approuvera Mon orgueil, et me laissera parler. Elle-même nous amènera la main dans la main À Celui autour duquel toutes les âmes S agenouillent, les innombrables têtes clair rangées Inclinées, avec leurs auréoles. Et les anges venus à notre rencontre chanteront, S accompagnant de leurs guitares et de leurs citoles. Alors, je demanderai au Christ Notre Seigneur, Cette grande faveur, pour lui et moi, Seulement de vivre comme autrefois sur terre Dans l amour, et d être pour toujours, Comme alors pour un temps, Ensemble, moi et lui. Elle regarda, prêta l oreille et dit, D une voix moins triste que douce Tout ceci sera quand il viendra. Elle se tut. La lumière tressaillit de son côte, remplie D un fort vol d anges horizontal. Ses yeux prièrent, elle sourit ; Mais bientôt leur sentier Devint vague dans les sphères distantes. Alors, elle jeta ses bras le long Des barrières d or. Et posant son visage entre ses mains, Pleura. Ah, ah. (traduit par Gabriel Sarrazin) Debussy,Claude/La damoiselle élue
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ACTE CINQUIÈME PREMIER TABLEAU （Le bord de la mer couvert de tentes troyennes. On voit les vaisseaux troyens dans le port. Il fait nuit. Un jeune matelot phrygien chante en se balançant au haut du mât d'un navire. Deux sentinelles montent la garde devant les tentes au fond de la scène.） N° 38 – Chanson d'Hylas ▼HYLAS▲ Vallon sonore, Où dès l'aurore Je m'en allais chantant, hélas! Sous tes grands bois chantera-t-il encore, Le pauvre Hylas?… Berce mollement sur ton sein sublime, Ô puissante mer, l'enfant de Dindyme! Fraîche ramée, Retraite aimée Contre les feux du jour, hélas! Quand rendras-tu ton ombre parfumée Au pauvre Hylas?… Berce mollement sur ton sein sublime, Ô puissante mer, l'enfant de Dindyme! Humble chaumière Où de ma mère Je reçus les adieux, ▼PREMIÈRE SENTINELLE▲ Il rêve à son pays… ▼DEUXIÈME SENTINELLE▲ Qu'il ne reverra pas. ▼HYLAS▲ Hélas! Reverra-t-il ton heureuse misère, Le pauvre Hylas?… Berce mollement sur ton sein sublime, Ô puissante mer, l'enfant… （Il s'endort.） N° 39 – Récitatif et chœur （Entrent Panthée et les chefs troyens.） ▼PANTHÉE▲ Préparez tout, il faut partir enfin. Énée en vain Voit avec désespoir l'angoisse de la reine, La gloire et le devoir sauront briser sa chaîne Et son cœur sera fort au moment des adieux. ▼PANTHÉE, LES CHEFS▲ Chaque jour voit grandir la colère des dieux. Des signes effrayants déjà nous avertissent; La mer, les monts, les bois profonds gémissent; Sous d'invisibles coups nos armes retentissent; Comme dans Troie en la fatale nuit, Hector, dont l'œil courroucé luit, En armes apparaît; un chœur d'ombres le suit; Et ces morts irrités La nuit dernière encore ont crié trois fois… ▼LES OMBRES▲ Italie! Italie! Italie! ▼PANTHÉE, LES CHEFS▲ Dieux vengeurs! c'est leur voix!… Nous avons trop longtemps bravé l'ordre céleste; Quittons sans plus tarder ce rivage funeste! A demain! à demain! Préparons tout, il faut partir enfin. （Ils entrent dans les tentes.） N° 40 – Duo （Les deux soldats en sentinelle marchent, l'un de droite à gauche, l'autre de gauche à droite. Ils s'arrêtent de temps en temps l'un près de l'autre vers le milieu du théâtre.） ▼PREMIÈRE SENTINELLE▲ Par Bacchus! ils sont fous avec leur Italie!… Je n'ai rien entendu. ▼DEUXIÈME SENTINELLE▲ Ni moi. ▼PREMIÈRE SENTINELLE▲ La belle vie, Pourtant, qu'on mène ici! ▼DEUXIÈME SENTINELLE▲ Dans plus d'une maison Nous trouvons et bon vin et grasse venaison. ▼PREMIÈRE SENTINELLE▲ A ma belle Carthaginoise, Je puis déjà parler phénicien. ▼DEUXIÈME SENTINELLE▲ La mienne comprend le Troyen, M'obéit sans me chercher noise. ▼PREMIÈRE SENTINELLE▲ La tienne comprend le Troyen? ▼DEUXIÈME SENTINELLE▲ M'obéit sans me chercher noise. La femme n'est point rude ici pour l'étranger. ▼ENSEMBLE▲ Non, la femme n'est point rude ici pour l'étranger. ▼PREMIÈRE SENTINELLE▲ Et l'on nous veut faire changer Ces douceurs contre un long voyage! ▼DEUXIÈME SENTINELLE▲ Les caresses de l'orage! ▼PREMIÈRE SENTINELLE▲ La faim. ▼DEUXIÈME SENTINELLE▲ La soif. ▼PREMIÈRE SENTINELLE▲ Vingt maux d'enfer! ▼DEUXIÈME SENTINELLE▲ Et tous les ennuis de la mer! ▼PREMIÈRE SENTINELLE▲ Maudite folie! ▼DEUXIÈME SENTINELLE▲ Pour cette Italie… ▼PREMIÈRE SENTINELLE▲ Où nous devons jouir du fruit de nos travaux… ▼ENSEMBLE▲ En nous faisant rompre les os! ▼DEUXIÈME SENTINELLE▲ Encor pâtir! ▼PREMIÈRE SENTINELLE▲ Encor pâtir! Notre lot est l'obéissance. ▼DEUXIÈME SENTINELLE▲ Silence! Je vois Énée à grands pas accourir. （Les deux sentinelles s'éloignent et disparaissent.） N° 41 – Récitatif mesuré et air ▼ÉNÉE▲ （s'avançant dans une grande agitation） Inutiles regrets!… je dois quitter Carthage! Didon le sait… son effroi, sa stupeur, En l'apprenant, ont brisé mon courage… Mais je le dois… il le faut! Non, je ne puis oublier la pâleur Frappant de mort son beau visage, Son silence obstiné, ses yeux Fixes et pleins d'un feu sombre… En vain ai-je parlé des prodiges sans nombre Me rappelant l'ordre des dieux, Invoqué la grandeur de ma sainte entreprise, L'avenir de mon fils et le sort des Troyens, La triomphale mort par les destins promise, Pour couronner ma gloire aux champs ausoniens; Rien n'a pu la toucher; sans vaincre son silence J'ai fui de son regard la terrible éloquence. Ah! quand viendra l'instant des suprêmes adieux, Heure d'angoisse et de larmes baignée, Comment subir l'aspect affreux De cette douleur indignée?… Lutter contre moi-même et contre toi, Didon! En déchirant ton cœur implorer mon pardon! En serai-je capable?… En un dernier naufrage, Ah! puissé-je périr, si je quittais Carthage Sans te revoir pourtant!… Sans la voir? lâcheté! Mépris des droits sacrés de l'hospitalité! Non, non reine adorée, Âme sublime et par moi déchirée, Bienfaitrice des miens! Non, je veux te revoir, Une dernière fois presser tes mains tremblantes, Arroser tes genoux de mes larmes brûlantes, Dussé-je être brisé par un tel désespoir. N° 42 – Scène ▼CHŒUR D'OMBRES▲ Énée!… ▼ÉNÉE▲ Encor ces voix! （Les quatre spectres voilés paraissent successivement, l'un à l'entrée des coulisses à gauche du spectateur, l'autre à l'entrée des coulisses à droite, les deux autres au fond du théâtre. Au-dessus de la tête de chacun d'eux brille une couronne de petites flammes pâles.） ▼ÉNÉE▲ De la sombre demeure, Messager menaçant, qui donc t'a fait sortir?… ▼LE SPECTRE DE PRIAM▲ （visible） Ta faiblesse et ta gloire… ▼ÉNÉE▲ Ah! je voudrais mourir! ▼LE SPECTRE DE PRIAM▲ Plus de retards! ▼LE SPECTRE DE CHORÈBE▲ （invisible） Pas un jour! ▼LES SPECTRES D'HECTOR ET DE CASSANDRE▲ （invisibles） Pas une heure! ▼LE SPECTRE DE PRIAM▲ （levant son voile devant les yeux d'Énée） Je suis Priam!… il faut vivre et partir! （Sa couronne s'éteint, il disparaît. Énée, s'élançant éperdu vers le côté droit de la scène, y rencontre le spectre de Chorèbe.） ▼LE SPECTRE DE CHORÈBE▲ （levant son voile） Je suis Chorèbe! Il faut partir et vaincre! （Sa couronne s'éteint, il disparaît. Énée, reculant vers le fond du théâtre, y rencontre les deux autres spectres. Cassandre a le bras gauche appuyé sur l'épaule d'Hector. Hector est armé de pied en cap.） ▼ÉNÉE▲ （les reconnaissant au moment où ils se dévoilent） Hector! dieux de l'Érèbe!… Cassandre!… ▼LES SPECTRES DE CASSANDRE et D'HECTOR▲ Il faut vaincre et fonder!… （Leurs couronnes s'éteignent, ils disparaissen.） ▼ÉNÉE▲ Je dois céder A vos ordres impitoyables! J'obéis, j'obéis, spectres inexorables! Je suis barbare, ingrat; vous l'ordonnez, grands dieux! Et j'immole Didon, en détournant les yeux! N° 43 – Scène et chœur ▼ÉNÉE▲ （passant devant les tentes） Debout, Troyens, éveillez-vous, alerte! Le vent est bon, la mer nous est ouverte! Éveillez-vous! Il faut partir avant le lever du soleil! ▼LES TROYENS▲ （dans les tentes） Alerte!… entendez-vous, amis, la voix d'Énée?… （Ils sortent des tentes） Donnez partout le signal du réveil… ▼ÉNÉE▲ （à un chef） Va, cours, porte cet ordre à l'oreille étonnée D'Ascagne Qu'il se lève et qu'il se rende à bord! Avant le jour il faut quitter le port. Ma tâche, jusqu'au bout, grands dieux, sera remplie, Alerte, amis! profitons des instants! Coupez les câbles, il est temps! En mer! en mer! Italie! Italie! ▼CHŒUR▲ Voici le jour, profitons des instants! Coupons les câbles, il est temps! En mer! en mer! Italie! Italie! ▼ÉNÉE▲ （se tournant du côté du palais de Didon） A toi mon âme! Adieu! digne de ton pardon, Je pars, noble Didon! L'impatient destin m'appelle; Pour la mort des héros, je te suis infidèle. （Tous se précipitent hors de la scène dans diverses directions, comme pour faire des préparatifs de départ. On voit les vaisseaux commencer à se mettre en mouvement. Éclairs et tonnerre lointain.） N° 44 – Duo et chœur ▼DIDON▲ Errante sur tes pas, Sous la foudre qui gronde, J'ai voulu voir, je vois et ne crois pas… Tu prépares ta fuite? ▼ÉNÉE▲ En ma douleur profonde, Chère Didon, épargnez-moi! ▼DIDON▲ Tu pars? tu pars? Sans remords! Quoi! Dédaigneux du sceptre de Libye, En m'arrachant le cœur tu cours en Italie! ▼ÉNÉE▲ J'ai trop tardé… des dieux les ordres souverains… ▼DIDON▲ Il part!… il suit la voix d'implacables destins, Sans écouter la mienne! à ses lâches dédains Il me voit exposer ma douleur surhumaine, （Elle voit un groupe de Troyens sourire en la regardant.） Et ma beauté de reine Aux rires insolents de ces ingrats Troyens!… ▼ÉNÉE▲ Didon! ▼DIDON▲ Sans qu'à l'aspect d'une telle misère La pitié d'une larme humecte sa paupière! Tu pars? Non ! ce n'est pas Vénus qui t'enfanta, Quelque louve hideuse aux forêts t'allaita! ▼ÉNÉE▲ Ô reine, quand à vous se dévoua mon âme, Elle subit la loi d'un immortel amour, Et jusqu'au dernier jour Mon cœur vivra de cette flamme… ▼DIDON▲ Tais-toi! rien ne t'arrête; La mort qui plane sur ma tête, Ma honte, mon amour, notre hymen commencé, Mon nom du livre d'or dès ce jour effacé! Encor, si de ta foi, j'avais un tendre gage, Oui, si d'un fils d'Énée Le fier et doux visage Me rappelant tes traits, souriait sur mon sein, Je serais moins abandonnée… ▼ÉNÉE▲ Je vous aime, Didon grâce! l'ordre divin Pouvait seul emporter la cruelle victoire. （On entend la fanfare de la marche troyenne.） ▼DIDON▲ A ce chant de triomphe où rayonne ta gloire, Je te vois tressaillir! Tu pars? ▼ÉNÉE▲ Je dois partir… ▼DIDON▲ Tu pars? ▼ÉNÉE▲ Mais pour mourir, Obéissant aux dieux, Je pars et je vous aime! ▼DIDON▲ Ne sois plus longtemps par mes cris arrêté, Monstre de piété! Va donc, va! je maudis et tes dieux et toi-même! （Elle sort. Des groupes de soldats troyens occupés des préparatifs du départ passent et se dirigent vers les vaisseaux.） ▼ÉNÉE, LES TROYENS▲ Italie! （Ascagne arrive conduit par un chef troyen. Énée monte sur un vaisseau.） DEUXIÈME TABLEAU （Un appartement de Didon. Le jour se lève.） N° 45 – Scène ▼DIDON▲ Va, ma sœur, l'implorer De mon âme abattue L'orgueil a fui. Va! ce départ me tue Et je le vois se préparer. ▼ANNA▲ Hélas! moi seule fus coupable, En vous encourageant à former d'autres nœuds. Peut-on lutter contre les dieux?… Son départ est inévitable, Et pourtant il vous aime. ▼DIDON▲ Il m'aime! non! non! son cœur est glacé! Ah! je connais l'amour, et si Jupiter même M'eût défendu d'aimer, mon amour insensé De Jupiter braverait l'anathème. Mais va, ma sœur, allez, Narbal, le supplier Pour qu'il m'accorde encore Quelques jours seulement. Humblement je l'implore Ce que j'ai fait pour lui, pourra-t-il l'oublier, Et repoussera-t-il cette instance suprême De vous, sage Narbal, de toi, ma sœur, qu'il aime?… N° 46 – Scène ▼CHŒUR▲ （au loin derrière la scène） En mer, voyez! six vaisseaux! sept! neuf! dix! ▼IOPAS▲ （entrant） Les Troyens sont partis! ▼DIDON▲ Qu'entends-je? ▼IOPAS▲ Avant l'aurore Leur flotte était en mer, on l'aperçoit encore! ▼DIDON▲ Dieux immortels! il part! Armez-vous, Tyriens! Carthaginois, courez, poursuivez les Troyens! Courbez-vous sur les rames, Volez sur les eaux, Lancez des flammes, Brûlez leurs vaisseaux! Que la ville entière… Que dis-je?… impuissante fureur! Subis ton sort et désespère, Dévore ta douleur, Ô malheureuse! Et voilà donc la foi de cette âme pieuse! J'offrais un trône!… Ah! je devais alors Exterminer la race vagabonde De ces maudits, et disperser sur l'onde Les débris de leurs corps! C'est alors qu'il fallait prévoir leur perfidie, Livrer leur flotte à l'incendie, Et me venger d'Énée et lui servir enfin Les membres de son fils en un hideux festin! A moi, dieux des enfers! l'Olympe est inflexible!… Aidez-moi! que par vous mon cœur soit enflammé D'une haine terrible Pour ce fugitif que j'aimai! Du prêtre de Pluton, qu'on réclame l'office! Pour apaiser mes douloureux transports, A l'instant même offrons un sacrifice Aux sombres déités de l'empire des morts! Qu'on élève un bûcher! Que les dons du perfide Et ceux que je lui fis, Dans la flamme livide, Souvenirs détestés, disparaissent!… Sortez! ▼NARBAL▲ （à Anna） Son regard m'épouvante, ô princesse, restez! ▼DIDON▲ Anna, suivez Narbal. ▼ANNA▲ Que ma sœur me pardonne! ▼DIDON▲ Je suis reine et j'ordonne; Laissez-moi seule, Anna. （Anna, Narbal et Iopas sortent.） N° 47 – Monologue （Didon parcourt la scène en s'arrachant les cheveux, se frappant la poitrine et poussant des cris inarticulés.） ▼DIDON▲ Ah! Ah! （Elle s'arrête brusquement.） Je vais mourir… Dans ma douleur immense submergée Et mourir non vengée!… Mourons pourtant! oui, puisse-t-il frémir A la lueur lointaine de la flamme de mon bûcher! S'il reste dans son âme quelque chose d'humain, Peut-être il pleurera sur mon affreux destin. Lui, me pleurer!… Énée!… Énée!… Oh! mon âme te suit, A son amour enchaînée, Esclave, elle l'emporte en l'éternelle nuit… Vénus! rends-moi ton fils!… Inutile prière D'un cœur qui se déchire!… A la mort tout entière Didon n'attend plus rien que de la mort. N° 48 – Air ▼DIDON▲ Adieu, fière cité, qu'un généreux effort Si promptement éleva florissante; Ma tendre sœur qui me suivis errante, Adieu, mon peuple, adieu; adieu, rivage vénéré, Toi qui jadis m'accueillis suppliante; Adieu, beau ciel d'Afrique, astres que j'admirai Aux nuits d'ivresse et d'extase infinie; Je ne vous verrai plus, ma carrière est finie!… （Elle sort à pas lents.） ▼TROISIÈME TABLEAU▲ N° 49 – Cérémonie funèbre （Une partie des jardins de Didon, sur le bord de la mer. Un vaste bûcher est élevé; on y monte par les gradins latéraux. Sur la plate-forme du bûcher sont placés un lit, une toge, un casque, une épée avec son baudrier, et un buste d'Énée.） （Entrent les Prêtres de Pluton, revêtus de costumes funèbres, ils viennent processionnellement se grouper auprès de deux autels où brillent des flammes verdâtres, puis Anna, Narbal, et enfin Didon voilée et couronnée de feuillage. Pendant la première partie du chœur des prêtres, Anna, s'approchant de sa sœur, lui dénoue sa chevelure et lui ôte le cothurne de son pied gauche.） ▼CHŒUR DE PRÊTRES DE PLUTON▲ Dieux de l'oubli, dieux du Ténare, Au cœur blessé rendez la force et le repos! Des profondeurs du noir Tartare Entendez-nous, Hécate, Érèbe, et toi Chaos! ▼ANNA ET NARBAL▲ （étendant le bras droit du côté de la mer） S'il faut enfin qu'Énée aborde en Italie, Qu'il y trouve un obscur trépas! Que le peuple latin à l'ombrien s'allie Pour arrêter ses pas! Percé d'un trait vulgaire en la mêlée ardente, Qu'il reste abandonné sur l'arène sanglante, Pour servir de pâture aux dévorants oiseaux! Entendez-nous, Hécate, Érèbe, et toi Chaos! ▼LES PRÊTRES, ANNA, NARBAL▲ Dieux de l'oubli, dieux du Ténare, Au cœur blessé rendez la force et le repos ! Des profondeurs du noir Tartare Entendez-nous, Hécate, Érèbe, et toi Chaos! N° 50 – Scène ▼DIDON▲ （parlant comme en songe） Pluton… semble m'être propice… En ce cruel instant… Narbal… ma sœur C'en est fait… achevons le pieux sacrifice… Je sens rentrer le calme… dans mon cœur. （Deux prêtres portant le premier autel s'avancent de gauche à droite, deux autres portant le second s'avancent de droite à gauche et font en se croisant ainsi le tour du bûcher. Didon, le pied gauche nu, les cheveux épars, après avoir déposé sur l'un des autels sa couronne de feuillage, le suit d'un pas saccadé. Pendant ce mouvement processionnel, Anna est à genoux à droite de la scène et Narbal à gauche. Entre eux le grand-prêtre de Pluton, debout, étend, en la tenant des deux mains, la fourche plutonique vers le bûcher. Enfin, saisi d'une énergie convulsive, Didon monte d'un pas rapide les degrés du bûcher. Parvenue au sommet, elle saisit la toge d'Énée, détache le voile brodé d'or qui couvre sa tête, et les jetant l'une et l'autre sur le bûcher, elle dit ） D'un malheureux amour, funestes gages, Dans la flamme emportez avec vous mes chagrins! （Elle considère les armes d'Énée） Ah! （Elle se prosterne sur le lit, qu'elle embrasse avec des sanglots convulsifs. Elle se relève et prenant l'épée elle dit d'un ton prophétique ） Mon souvenir vivra parmi les âges. Mon peuple accomplira d'héroïques destins. Un jour sur la terre africaine, Il naîtra de ma cendre un glorieux vengeur… J'entends déjà tonner son nom vainqueur. Annibal! Annibal! d'orgueil mon âme est pleine! Plus de souvenirs amers! C'est ainsi qu'il convient de descendre aux enfers! （Elle tire l'épée du fourreau, se frappe et tombe sur le lit.） N° 51 – Chœur ▼TOUS▲ Ah! au secours! au secours! la reine s'est frappée! （Narbal sort comme pour aller chercher du secours） ▼CHŒUR▲ （derrière la scène et accourant） Quels cris! ah! dans son sang trempée La reine meurt! （Narbal rentre, le grand chœur entre en scène） Est-il vrai? jour d'horreur! malheur! ▼DIDON▲ （se relevant appuyée sur son coude） Ah! （Elle retombe.） ▼ANNA▲ （sur le bûcher） Ma sœur! （Didon se relève.） ▼DIDON▲ Ah!… （Elle lève les yeux au ciel et retombe gémissant.） ▼ANNA▲ C'est moi, C'est ta sœur qui t'appelle… ▼DIDON▲ （se relevant à demi） Ah! Des destins ennemis… implacable fureur… Carthage périra! N° 52 – Imprécation （On voit dans une gloire lointaine le Capitole romain au fronton duquel brille ce mot ROMA. Devant le Capitole défilent des légions et un empereur entouré d'une cour de poètes et d'artistes. Pendant cette apothéose, invisible aux Carthaginois, on entend au loin la Marche troyenne transmise aux Romains par la tradition et devenue leur chant de triomphe.） ▼DIDON▲ Rome… Rome… immortelle! （Elle retombe, et meurt. Anna tombe évanouie à côté d'elle. Le peuple de Carthage, s'avançant vers l'avant-scène et tournant le dos au bûcher, lance son imprécation, premier cri de guerre punique, contrastant par sa fureur avec la solennité de la Marche triomphale.） ▼CHŒUR▲ Haine éternelle à la race d'Énée! Qu'une guerre acharnée Précipite à jamais nos fils contre ses fils! Que par nos vaisseaux assaillis Leurs vaisseaux dans la mer profonde Périssent abîmés! Que sur la terre et l'onde Nos derniers descendants, contre eux toujours armés, De leur massacre, un jour, épouvantent le monde! ACTE CINQUIÈME PREMIER TABLEAU Le bord de la mer couvert de tentes troyennes. On voit les vaisseaux troyens dans le port. Il fait nuit. Un jeune matelot phrygien chante en se balançant au haut du mât d'un navire. Deux sentinelles montent la garde devant les tentes au fond de la scène. N° 38 – Chanson d'Hylas HYLAS Vallon sonore, Où dès l'aurore Je m'en allais chantant, hélas! Sous tes grands bois chantera-t-il encore, Le pauvre Hylas?… Berce mollement sur ton sein sublime, Ô puissante mer, l'enfant de Dindyme! Fraîche ramée, Retraite aimée Contre les feux du jour, hélas! Quand rendras-tu ton ombre parfumée Au pauvre Hylas?… Berce mollement sur ton sein sublime, Ô puissante mer, l'enfant de Dindyme! Humble chaumière Où de ma mère Je reçus les adieux, PREMIÈRE SENTINELLE Il rêve à son pays… DEUXIÈME SENTINELLE Qu'il ne reverra pas. HYLAS Hélas! Reverra-t-il ton heureuse misère, Le pauvre Hylas?… Berce mollement sur ton sein sublime, Ô puissante mer, l'enfant… Il s'endort. N° 39 – Récitatif et chœur Entrent Panthée et les chefs troyens. PANTHÉE Préparez tout, il faut partir enfin. Énée en vain Voit avec désespoir l'angoisse de la reine, La gloire et le devoir sauront briser sa chaîne Et son cœur sera fort au moment des adieux. PANTHÉE, LES CHEFS Chaque jour voit grandir la colère des dieux. Des signes effrayants déjà nous avertissent; La mer, les monts, les bois profonds gémissent; Sous d'invisibles coups nos armes retentissent; Comme dans Troie en la fatale nuit, Hector, dont l'œil courroucé luit, En armes apparaît; un chœur d'ombres le suit; Et ces morts irrités La nuit dernière encore ont crié trois fois… LES OMBRES Italie! Italie! Italie! PANTHÉE, LES CHEFS Dieux vengeurs! c'est leur voix!… Nous avons trop longtemps bravé l'ordre céleste; Quittons sans plus tarder ce rivage funeste! A demain! à demain! Préparons tout, il faut partir enfin. Ils entrent dans les tentes. N° 40 – Duo Les deux soldats en sentinelle marchent, l'un de droite à gauche, l'autre de gauche à droite. Ils s'arrêtent de temps en temps l'un près de l'autre vers le milieu du théâtre. PREMIÈRE SENTINELLE Par Bacchus! ils sont fous avec leur Italie!… Je n'ai rien entendu. DEUXIÈME SENTINELLE Ni moi. PREMIÈRE SENTINELLE La belle vie, Pourtant, qu'on mène ici! DEUXIÈME SENTINELLE Dans plus d'une maison Nous trouvons et bon vin et grasse venaison. PREMIÈRE SENTINELLE A ma belle Carthaginoise, Je puis déjà parler phénicien. DEUXIÈME SENTINELLE La mienne comprend le Troyen, M'obéit sans me chercher noise. PREMIÈRE SENTINELLE La tienne comprend le Troyen? DEUXIÈME SENTINELLE M'obéit sans me chercher noise. La femme n'est point rude ici pour l'étranger. ENSEMBLE Non, la femme n'est point rude ici pour l'étranger. PREMIÈRE SENTINELLE Et l'on nous veut faire changer Ces douceurs contre un long voyage! DEUXIÈME SENTINELLE Les caresses de l'orage! PREMIÈRE SENTINELLE La faim. DEUXIÈME SENTINELLE La soif. PREMIÈRE SENTINELLE Vingt maux d'enfer! DEUXIÈME SENTINELLE Et tous les ennuis de la mer! PREMIÈRE SENTINELLE Maudite folie! DEUXIÈME SENTINELLE Pour cette Italie… PREMIÈRE SENTINELLE Où nous devons jouir du fruit de nos travaux… ENSEMBLE En nous faisant rompre les os! DEUXIÈME SENTINELLE Encor pâtir! PREMIÈRE SENTINELLE Encor pâtir! Notre lot est l'obéissance. DEUXIÈME SENTINELLE Silence! Je vois Énée à grands pas accourir. Les deux sentinelles s'éloignent et disparaissent. N° 41 – Récitatif mesuré et air ÉNÉE s'avançant dans une grande agitation Inutiles regrets!… je dois quitter Carthage! Didon le sait… son effroi, sa stupeur, En l'apprenant, ont brisé mon courage… Mais je le dois… il le faut! Non, je ne puis oublier la pâleur Frappant de mort son beau visage, Son silence obstiné, ses yeux Fixes et pleins d'un feu sombre… En vain ai-je parlé des prodiges sans nombre Me rappelant l'ordre des dieux, Invoqué la grandeur de ma sainte entreprise, L'avenir de mon fils et le sort des Troyens, La triomphale mort par les destins promise, Pour couronner ma gloire aux champs ausoniens; Rien n'a pu la toucher; sans vaincre son silence J'ai fui de son regard la terrible éloquence. Ah! quand viendra l'instant des suprêmes adieux, Heure d'angoisse et de larmes baignée, Comment subir l'aspect affreux De cette douleur indignée?… Lutter contre moi-même et contre toi, Didon! En déchirant ton cœur implorer mon pardon! En serai-je capable?… En un dernier naufrage, Ah! puissé-je périr, si je quittais Carthage Sans te revoir pourtant!… Sans la voir? lâcheté! Mépris des droits sacrés de l'hospitalité! Non, non reine adorée, Âme sublime et par moi déchirée, Bienfaitrice des miens! Non, je veux te revoir, Une dernière fois presser tes mains tremblantes, Arroser tes genoux de mes larmes brûlantes, Dussé-je être brisé par un tel désespoir. N° 42 – Scène CHŒUR D'OMBRES Énée!… ÉNÉE Encor ces voix! Les quatre spectres voilés paraissent successivement, l'un à l'entrée des coulisses à gauche du spectateur, l'autre à l'entrée des coulisses à droite, les deux autres au fond du théâtre. Au-dessus de la tête de chacun d'eux brille une couronne de petites flammes pâles. ÉNÉE De la sombre demeure, Messager menaçant, qui donc t'a fait sortir?… LE SPECTRE DE PRIAM visible Ta faiblesse et ta gloire… ÉNÉE Ah! je voudrais mourir! LE SPECTRE DE PRIAM Plus de retards! LE SPECTRE DE CHORÈBE invisible Pas un jour! LES SPECTRES D'HECTOR ET DE CASSANDRE invisibles Pas une heure! LE SPECTRE DE PRIAM levant son voile devant les yeux d'Énée Je suis Priam!… il faut vivre et partir! Sa couronne s'éteint, il disparaît. Énée, s'élançant éperdu vers le côté droit de la scène, y rencontre le spectre de Chorèbe. LE SPECTRE DE CHORÈBE levant son voile Je suis Chorèbe! Il faut partir et vaincre! Sa couronne s'éteint, il disparaît. Énée, reculant vers le fond du théâtre, y rencontre les deux autres spectres. Cassandre a le bras gauche appuyé sur l'épaule d'Hector. Hector est armé de pied en cap. ÉNÉE les reconnaissant au moment où ils se dévoilent Hector! dieux de l'Érèbe!… Cassandre!… LES SPECTRES DE CASSANDRE et D'HECTOR Il faut vaincre et fonder!… Leurs couronnes s'éteignent, ils disparaissen. ÉNÉE Je dois céder A vos ordres impitoyables! J'obéis, j'obéis, spectres inexorables! Je suis barbare, ingrat; vous l'ordonnez, grands dieux! Et j'immole Didon, en détournant les yeux! N° 43 – Scène et chœur ÉNÉE passant devant les tentes Debout, Troyens, éveillez-vous, alerte! Le vent est bon, la mer nous est ouverte! Éveillez-vous! Il faut partir avant le lever du soleil! LES TROYENS dans les tentes Alerte!… entendez-vous, amis, la voix d'Énée?… Ils sortent des tentes Donnez partout le signal du réveil… ÉNÉE à un chef Va, cours, porte cet ordre à l'oreille étonnée D'Ascagne Qu'il se lève et qu'il se rende à bord! Avant le jour il faut quitter le port. Ma tâche, jusqu'au bout, grands dieux, sera remplie, Alerte, amis! profitons des instants! Coupez les câbles, il est temps! En mer! en mer! Italie! Italie! CHŒUR Voici le jour, profitons des instants! Coupons les câbles, il est temps! En mer! en mer! Italie! Italie! ÉNÉE se tournant du côté du palais de Didon A toi mon âme! Adieu! digne de ton pardon, Je pars, noble Didon! L'impatient destin m'appelle; Pour la mort des héros, je te suis infidèle. Tous se précipitent hors de la scène dans diverses directions, comme pour faire des préparatifs de départ. On voit les vaisseaux commencer à se mettre en mouvement. Éclairs et tonnerre lointain. N° 44 – Duo et chœur DIDON Errante sur tes pas, Sous la foudre qui gronde, J'ai voulu voir, je vois et ne crois pas… Tu prépares ta fuite? ÉNÉE En ma douleur profonde, Chère Didon, épargnez-moi! DIDON Tu pars? tu pars? Sans remords! Quoi! Dédaigneux du sceptre de Libye, En m'arrachant le cœur tu cours en Italie! ÉNÉE J'ai trop tardé… des dieux les ordres souverains… DIDON Il part!… il suit la voix d'implacables destins, Sans écouter la mienne! à ses lâches dédains Il me voit exposer ma douleur surhumaine, Elle voit un groupe de Troyens sourire en la regardant. Et ma beauté de reine Aux rires insolents de ces ingrats Troyens!… ÉNÉE Didon! DIDON Sans qu'à l'aspect d'une telle misère La pitié d'une larme humecte sa paupière! Tu pars? Non ! ce n'est pas Vénus qui t'enfanta, Quelque louve hideuse aux forêts t'allaita! ÉNÉE Ô reine, quand à vous se dévoua mon âme, Elle subit la loi d'un immortel amour, Et jusqu'au dernier jour Mon cœur vivra de cette flamme… DIDON Tais-toi! rien ne t'arrête; La mort qui plane sur ma tête, Ma honte, mon amour, notre hymen commencé, Mon nom du livre d'or dès ce jour effacé! Encor, si de ta foi, j'avais un tendre gage, Oui, si d'un fils d'Énée Le fier et doux visage Me rappelant tes traits, souriait sur mon sein, Je serais moins abandonnée… ÉNÉE Je vous aime, Didon grâce! l'ordre divin Pouvait seul emporter la cruelle victoire. On entend la fanfare de la marche troyenne. DIDON A ce chant de triomphe où rayonne ta gloire, Je te vois tressaillir! Tu pars? ÉNÉE Je dois partir… DIDON Tu pars? ÉNÉE Mais pour mourir, Obéissant aux dieux, Je pars et je vous aime! DIDON Ne sois plus longtemps par mes cris arrêté, Monstre de piété! Va donc, va! je maudis et tes dieux et toi-même! Elle sort. Des groupes de soldats troyens occupés des préparatifs du départ passent et se dirigent vers les vaisseaux. ÉNÉE, LES TROYENS Italie! Ascagne arrive conduit par un chef troyen. Énée monte sur un vaisseau. DEUXIÈME TABLEAU Un appartement de Didon. Le jour se lève. N° 45 – Scène DIDON Va, ma sœur, l'implorer De mon âme abattue L'orgueil a fui. Va! ce départ me tue Et je le vois se préparer. ANNA Hélas! moi seule fus coupable, En vous encourageant à former d'autres nœuds. Peut-on lutter contre les dieux?… Son départ est inévitable, Et pourtant il vous aime. DIDON Il m'aime! non! non! son cœur est glacé! Ah! je connais l'amour, et si Jupiter même M'eût défendu d'aimer, mon amour insensé De Jupiter braverait l'anathème. Mais va, ma sœur, allez, Narbal, le supplier Pour qu'il m'accorde encore Quelques jours seulement. Humblement je l'implore Ce que j'ai fait pour lui, pourra-t-il l'oublier, Et repoussera-t-il cette instance suprême De vous, sage Narbal, de toi, ma sœur, qu'il aime?… N° 46 – Scène CHŒUR au loin derrière la scène En mer, voyez! six vaisseaux! sept! neuf! dix! IOPAS entrant Les Troyens sont partis! DIDON Qu'entends-je? IOPAS Avant l'aurore Leur flotte était en mer, on l'aperçoit encore! DIDON Dieux immortels! il part! Armez-vous, Tyriens! Carthaginois, courez, poursuivez les Troyens! Courbez-vous sur les rames, Volez sur les eaux, Lancez des flammes, Brûlez leurs vaisseaux! Que la ville entière… Que dis-je?… impuissante fureur! Subis ton sort et désespère, Dévore ta douleur, Ô malheureuse! Et voilà donc la foi de cette âme pieuse! J'offrais un trône!… Ah! je devais alors Exterminer la race vagabonde De ces maudits, et disperser sur l'onde Les débris de leurs corps! C'est alors qu'il fallait prévoir leur perfidie, Livrer leur flotte à l'incendie, Et me venger d'Énée et lui servir enfin Les membres de son fils en un hideux festin! A moi, dieux des enfers! l'Olympe est inflexible!… Aidez-moi! que par vous mon cœur soit enflammé D'une haine terrible Pour ce fugitif que j'aimai! Du prêtre de Pluton, qu'on réclame l'office! Pour apaiser mes douloureux transports, A l'instant même offrons un sacrifice Aux sombres déités de l'empire des morts! Qu'on élève un bûcher! Que les dons du perfide Et ceux que je lui fis, Dans la flamme livide, Souvenirs détestés, disparaissent!… Sortez! NARBAL à Anna Son regard m'épouvante, ô princesse, restez! DIDON Anna, suivez Narbal. ANNA Que ma sœur me pardonne! DIDON Je suis reine et j'ordonne; Laissez-moi seule, Anna. Anna, Narbal et Iopas sortent. N° 47 – Monologue Didon parcourt la scène en s'arrachant les cheveux, se frappant la poitrine et poussant des cris inarticulés. DIDON Ah! Ah! Elle s'arrête brusquement. Je vais mourir… Dans ma douleur immense submergée Et mourir non vengée!… Mourons pourtant! oui, puisse-t-il frémir A la lueur lointaine de la flamme de mon bûcher! S'il reste dans son âme quelque chose d'humain, Peut-être il pleurera sur mon affreux destin. Lui, me pleurer!… Énée!… Énée!… Oh! mon âme te suit, A son amour enchaînée, Esclave, elle l'emporte en l'éternelle nuit… Vénus! rends-moi ton fils!… Inutile prière D'un cœur qui se déchire!… A la mort tout entière Didon n'attend plus rien que de la mort. N° 48 – Air DIDON Adieu, fière cité, qu'un généreux effort Si promptement éleva florissante; Ma tendre sœur qui me suivis errante, Adieu, mon peuple, adieu; adieu, rivage vénéré, Toi qui jadis m'accueillis suppliante; Adieu, beau ciel d'Afrique, astres que j'admirai Aux nuits d'ivresse et d'extase infinie; Je ne vous verrai plus, ma carrière est finie!… Elle sort à pas lents. TROISIÈME TABLEAU N° 49 – Cérémonie funèbre Une partie des jardins de Didon, sur le bord de la mer. Un vaste bûcher est élevé; on y monte par les gradins latéraux. Sur la plate-forme du bûcher sont placés un lit, une toge, un casque, une épée avec son baudrier, et un buste d'Énée. Entrent les Prêtres de Pluton, revêtus de costumes funèbres, ils viennent processionnellement se grouper auprès de deux autels où brillent des flammes verdâtres, puis Anna, Narbal, et enfin Didon voilée et couronnée de feuillage. Pendant la première partie du chœur des prêtres, Anna, s'approchant de sa sœur, lui dénoue sa chevelure et lui ôte le cothurne de son pied gauche. CHŒUR DE PRÊTRES DE PLUTON Dieux de l'oubli, dieux du Ténare, Au cœur blessé rendez la force et le repos! Des profondeurs du noir Tartare Entendez-nous, Hécate, Érèbe, et toi Chaos! ANNA ET NARBAL étendant le bras droit du côté de la mer S'il faut enfin qu'Énée aborde en Italie, Qu'il y trouve un obscur trépas! Que le peuple latin à l'ombrien s'allie Pour arrêter ses pas! Percé d'un trait vulgaire en la mêlée ardente, Qu'il reste abandonné sur l'arène sanglante, Pour servir de pâture aux dévorants oiseaux! Entendez-nous, Hécate, Érèbe, et toi Chaos! LES PRÊTRES, ANNA, NARBAL Dieux de l'oubli, dieux du Ténare, Au cœur blessé rendez la force et le repos ! Des profondeurs du noir Tartare Entendez-nous, Hécate, Érèbe, et toi Chaos! N° 50 – Scène DIDON parlant comme en songe Pluton… semble m'être propice… En ce cruel instant… Narbal… ma sœur C'en est fait… achevons le pieux sacrifice… Je sens rentrer le calme… dans mon cœur. Deux prêtres portant le premier autel s'avancent de gauche à droite, deux autres portant le second s'avancent de droite à gauche et font en se croisant ainsi le tour du bûcher. Didon, le pied gauche nu, les cheveux épars, après avoir déposé sur l'un des autels sa couronne de feuillage, le suit d'un pas saccadé. Pendant ce mouvement processionnel, Anna est à genoux à droite de la scène et Narbal à gauche. Entre eux le grand-prêtre de Pluton, debout, étend, en la tenant des deux mains, la fourche plutonique vers le bûcher. Enfin, saisi d'une énergie convulsive, Didon monte d'un pas rapide les degrés du bûcher. Parvenue au sommet, elle saisit la toge d'Énée, détache le voile brodé d'or qui couvre sa tête, et les jetant l'une et l'autre sur le bûcher, elle dit D'un malheureux amour, funestes gages, Dans la flamme emportez avec vous mes chagrins! Elle considère les armes d'Énée Ah! Elle se prosterne sur le lit, qu'elle embrasse avec des sanglots convulsifs. Elle se relève et prenant l'épée elle dit d'un ton prophétique Mon souvenir vivra parmi les âges. Mon peuple accomplira d'héroïques destins. Un jour sur la terre africaine, Il naîtra de ma cendre un glorieux vengeur… J'entends déjà tonner son nom vainqueur. Annibal! Annibal! d'orgueil mon âme est pleine! Plus de souvenirs amers! C'est ainsi qu'il convient de descendre aux enfers! Elle tire l'épée du fourreau, se frappe et tombe sur le lit. N° 51 – Chœur TOUS Ah! au secours! au secours! la reine s'est frappée! Narbal sort comme pour aller chercher du secours CHŒUR derrière la scène et accourant Quels cris! ah! dans son sang trempée La reine meurt! Narbal rentre, le grand chœur entre en scène Est-il vrai? jour d'horreur! malheur! DIDON se relevant appuyée sur son coude Ah! Elle retombe. ANNA sur le bûcher Ma sœur! Didon se relève. DIDON Ah!… Elle lève les yeux au ciel et retombe gémissant. ANNA C'est moi, C'est ta sœur qui t'appelle… DIDON se relevant à demi Ah! Des destins ennemis… implacable fureur… Carthage périra! N° 52 – Imprécation On voit dans une gloire lointaine le Capitole romain au fronton duquel brille ce mot ROMA. Devant le Capitole défilent des légions et un empereur entouré d'une cour de poètes et d'artistes. Pendant cette apothéose, invisible aux Carthaginois, on entend au loin la Marche troyenne transmise aux Romains par la tradition et devenue leur chant de triomphe. DIDON Rome… Rome… immortelle! Elle retombe, et meurt. Anna tombe évanouie à côté d'elle. Le peuple de Carthage, s'avançant vers l'avant-scène et tournant le dos au bûcher, lance son imprécation, premier cri de guerre punique, contrastant par sa fureur avec la solennité de la Marche triomphale. CHŒUR Haine éternelle à la race d'Énée! Qu'une guerre acharnée Précipite à jamais nos fils contre ses fils! Que par nos vaisseaux assaillis Leurs vaisseaux dans la mer profonde Périssent abîmés! Que sur la terre et l'onde Nos derniers descendants, contre eux toujours armés, De leur massacre, un jour, épouvantent le monde! Berlioz,Hector/Les Troyens
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Research Analysis The market research report profiles well-balanced information with previous as well as future results with an aim to offer a better understanding of the Seal Systems Market . The market report further offers an in-depth view of the leading factors that are related to increasing the demand growth for Seal Systems Market . Not only this but also in this study the readers can get an in-depth report of the possibilities in combination with the latest trends in the targeted market. It is also a detailed combination of 10 years old qualitative and quantitative analysis of the industry that has been presented in the report with an aim to help the market players to increase maximum profit in the sector. The market research report also provides information on the record of individual sales records that are made with the expected revenue over the forecast period. This research report provides an extensive examination of all the related segments present in the industry. Moreover, it throws light on the recent development as well as the opportunity is that is going on in the Seal Systems Market. Get a Sample PDF File@ https //www.quincemarketinsights.com/request-sample-88266?pu Market Report Features Overview Of The Market Report The market research report offers a detailed quantitative as well as qualitative overview of the market for Seal Systems Market on the basis of area, category, product, competitors, and application. In terms of expanded coverage, the market report is further extended in terms of end-user market analysis and the comprehensive producer profile. Market Segmentation Of Seal Systems Market The market segmentation of the Seal Systems Market is done on the basis of technology, product type, application, distribution channel, and end-user. Geographical segmentation is also being done to get valuable insights into the Seal Systems Market . Geographical Analysis Doing the geographical analysis is very important to know about the broad feature of the market. In this section, the readers can get a comprehensive analysis of the Seal Systems Market based on the geographical location. This section throws light on the demand and sales output for the Seal Systems Market at the national and international levels. The study is being done taking into account some of the major geographic regions such as North America, Europe, Asia Pacific, South America, Middle East, and Africa. Make an Enquiry for purchasing this Report @ https //www.quincemarketinsights.com/enquiry-before-buying/enquiry-before-buying-88266?pu Market Key Highlights The market report on the Seal Systems Market is a summary of the current market situation for the Seal Systems Market . Moreover, the analysis provides information regarding the newly launched product and also the products that are to be launched during the forecast period. The study also includes minute details regarding market share, segment, trends, growth and forecast Hanel PT, John Crane, Erie Metal Specialties, Inc, GLIDE Bearings Seal Systems, Boyd Corporation, System Seals, WIKA Group,. Company overview, latest trends, financials Quince Market Insights Top Trending Research Report* https //qmi189135117.wordpress.com/2022/09/16/cumene-sulfonic-acid-market-size-industry-growth-rate-global-share-upcoming-trends-leading-players-products-and-services-overview-forecast-to-2032/ https //qmi189135117.wordpress.com/2022/09/16/3-hexenyl-salicylate-market-key-findings-growth-prospects-and-size-by-country-top-manufacturer-expansion-plans-and-business-strategy-forecast-to-2032/ https //qmi189135117.wordpress.com/2022/09/16/ethylene-glycol-monostearate-market-trends-growth-size-swot-analysis-opportunity-assessment-by-forecast-to-2021-drivers-and-applications-are-pertinent-for-sustenance-during-the-forecast-period-20/ Details Contained In The Seal Systems Market Report 2021 Market Overview 1.1 Market Introduction 1.2 Market Analysis By Type 1.2.1 Type 1 1.2.2 Type 2 1.3 Market Analysis By Applications 1.3.1 Application 1 1.3.2 Application 2 1.4 Market Analysis by Regions 1.4.1 North America 1.4.2 Europe 1.4.3 Asia Pacific 1.4.4 South America 1.4.5 the Middle East and Africa Market Scope Market Segmentation by type, application, end-users and regions Market Size estimation Market Competition Key Market Leaders Conclusions The market research report offers a detailed study of the Seal Systems Market which include market shares, size and growth opportunities by applications, product types and geographic regions. Not only this but also the report also contains a detailed summary of the leading market players. The experts have also mentioned the market growth, threats, opportunities and risks. About Us QMI has the most comprehensive collection of market research products and services available on the web. We deliver reports from virtually all major publications and refresh our list regularly to provide you with immediate online access to the world’s most extensive and up-to-date archive of professional insights into global markets, companies, goods, and patterns. Contact us Quince Market Insights Phone +1 208 405 2835 Email sales@quincemarketinsights.com Website https //www.quincemarketinsights.com/
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Outer Torso G-O ※女性ものは参照程度に掲載しているので、ワンカットのみ掲載ですべて同じトリミングとしています。男女とも似た感じのデザインのものは女性のアイコン画を省略。 GATTO NERO EVENING JACKET WITH TUNGSTEN-STEEL MICROPLATES GOLDEN AGE TRILAYER COMPOSITE MOTORCYCLE JACKET GOLDEN HIVE FORMAL ANTICHEM MEMBRANE JACKET GOLDEN MEAN ELEGANT CHEM-RESISTANT BIKER JACKET GOLDEN MEAN HYBRID-WEAVE FLAME-RESISTANT COAT GRAFFITI CARBON-COMPOSITE EDGERUNNER GRAFFITI DETACHABLE COLLAR GRAFFITI ULTRARESISTANT DUOLAYER VEST GRAPHITE GEM INSULATED WESTERN SHIRT GREEN VIPER DOUBLE-NANOWEAVE PENCIL DRESS HAND-REINFORCED HOODED DENIM CUT-OFF HARDENED LEATHER LOOSE HIGHNECK HARDENED LEATHER ROCKERJACK HARDENED RUBBER BIKER JACKET HARDY DANDYLION COCKTAIL JACKET HEAT-RESISTANT LONG VEST HEAVY HYBRID-ARMOR TRICKSTER COAT HEAVY SHOCK-ABSORBENT SOLO JACKET HEAVY-DUTY ARAMID-REINFORCED BADGE COAT HEBI TSUKAI CASHMERE-NANOFIBER SHIRT HOLY ROSE MULTILAYER EDGERUNNER ICON AMERICA DUOLAYER WESTERN FRINGE VEST IMPACT-ABSORBENT PADDED BIKER VEST INNER FLAME FLAME-RESISTANT ROCKERJACK JSHLX REINFORCED PUFFER VEST JUNGE WERTHER REINFORCED LEATHER BIKER VEST KANG TAO METALSTITICH ARAMID VEST KANG TAO REFLECTIVE HYBRIDWEAVE UTILITY VEST KANG TAO REINFORCED TACTICAL VEST KANG TAO STRETCHY MOTORCYCLE JACKET KANI KARA TITANIUM-REINFORCED COMPOSITE BREASTPLATE KOTETSU NO RYU COAT KOUMORI SYNLEATHER TRENCH COAT KYUKETSUKI FLAME-RESISTANT POLYAMIDE ROCKER COAT LADY IN BLUE SYNWEAVE VEST LADY IN WHITE HYBRID-WEAVE PENCIL DRESS LAMINATED-ARMOR MEDIA BALLISTIC VEST LAVENDER GALAXY BOLERO COMPOSITE-LAYERED BOMBER LAZR-MOSAIC ANTI-SHRAPNEL ROCKERJACK LAZRPUNK TUNGSTEN-PLATED POZER-JACKET LEATHER BIKER VEST LIGHT CHERRY JINN ANTI-SHRAPNEL DENIM JACKET LIGHT SPIRIT ANIMAL CHEM-RESISTANT BOBMER LIGHT SYNFIBER EVENING JACKET LIGHTNING RIDER REINFORCED RACING SUIT LILLA NATT COMPOSITE-LEATHER ROCKER BLAZER LIMITED EDITION LOOSE-FIT SHIRT WITH PROTECTIVE MESH LOOSE COOLQUILT HIGHNECK / MINI COOLQUILT FOLDTOP M4RBL3 TITANIUM-PLEATED BALLISTIC VEST MAGENTA BEE TRILAYER HYBRID PUFFER VEST MAGENTA PUNCTURE-RESISTANT MULTILAYER HIGH-COLLAR VEST MARBRE DORE SUIT JACKET WITH DISCREET BULLETPROOF LINING MAXIWEAR MOTORCYCLE SUIT MAXTAC MULTILAYERED ARMOR-WEAVE JACKET MELTING CERAMIC MEMBRANE POZER-JACKET MICROPLATE-LINED CAMO VEST MICROPLATED PUNK SHORT-SLEEVE JACKET MIDORI TORA STURDY RALLY BOLERO MILITARY ARAMID COLLAR MILITARY ARAMID VEST MILITECH ARMORFIBRE TACTICAL HARNESS MILITECH ARMOR-QUILTED ARAMID VEST MILITECH HEAVY TACTICAL VEST MILITECH REINFORCED-COMPOSITE FIELD JACKET MILITECH ULTRALIGHT ARAMID BREASTPLATE MILKY GOLD TRENCH COAT WITH BULLETPROOF TRIWEAVE MOLTO VIVACE NANOWEAVE ROCKER COAT MOSAIC GLEAM BLAZER WITH PUNCTURE-RESISTANT MESH MOX NANOPLASTIC COLLAR MUDDY NCPD VEST MULTILAYERED MAROON SCALES SYN-COATED BOMBER MURASAKI TEAR-RESISTANT YUKATA NANOSTITCHED SHORT PUFFER NATSUNOSHIO PROTECTIVE-MESH TRACKSUIT NC PYTHON ULTRARESISTANT HYBRID-WEAVE RACING SUIT NCPD ARAMID COLLAR NCPD REINFORCED BALLISTIC VEST NEKITSCH PASION PURPURA POLYAMIDE FOLDTOP NIGHT CITY BIKER JACKET NIGHT CITY LIGHTWEIGHT CARBON-FIBER SLEEVELESS FIELD JACKET NOBLE WHITE ALBINO ALLIGATOR EVENING JACKET NU-TEK FOXY CARBON-LINED FIELD JACKET NUSA LEATHER VEST OCEAN ARMOR ARAMID-WEAVE EDGERUNNER OLD 6TH STREET VEST OLD CAMO SHOULDER STRAPS OLD COMBAT VEST OLD EDGERUNNER OLD MAELSTROM FIELD JACKET OLD MAELSTROM-TAGGED ARAMID VEST OLD SPOTTED TRENCH COAT OLD TYGER CLAWS MOTORCYCLE JACKET OLD WINDBREAKER OLD WRAITHS FLIGHT JACKET ORCHID SNAKE NANOTUBE-TRIWEAVE COCKTAIL JACKET ▲TOPへ戻る